The sun sets behind the mountain range to the west of
Queenstown. It paints the sky with fire, reflecting off the perfectly clear
water of the bay. Above me the sky darkens into deep blue velvet that is not
quite dark enough for stars. The soft strains of piano drift over the murmur of
the crowd gathered at the harbor.
Piano has always been one of my favorite instruments. Drums
are for fighting. Guitars are for loving. Violins are for crying. Piano is
something else. Piano is for hope. Desperate, wordless, hope. Hope against all
odds, all reason, and all logic. This hope is perhaps the best thing there is.
I love piano. And the kid playing it is a master. His sign
says he’s self taught, that he’s traveling around with his buddy in a van
playing in various places, and that he doesn’t know how old the piano is. I’d
believe it. Look up mathiaspianoman.bandcamp.com to find his stuff.
The rest is almost over.
New Zealand was supposed to be some well deserved R&R. A
vacation from the vacation. It was, in it’s own way. I’d managed to skydive,
bungee jump, see the Franz Joseph Glacier, get destroyed in a dodge ball game,
and hike up multiple mountains. Despite all that it was still restful. New
Zealand is quiet, laid back.
Tomorrow I take a roughly twenty-hour flight to Istanbul,
where I arrive at five in the morning.
I sit on the wall separating the bay from Queenstown
boardwalk, balanced precariously on a high concrete wall. This affords me a
view of the sunset and the boardwalk, the piano man and the people juxtaposing
with the fading light and brilliant colors. As the piano sings the sun to
sleep, I muse that this is what other people go their entire lives without
seeing: a perfect moment.
Too soon the sun fades and the piano packs up. The wind
blows and I shake myself out of the dream.
The rest is almost over.
-Doug
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